James Barrie s Story Of Peter Pan - 2134 Words

Since the manifestation of James Barrie’s story of Peter Pan over one hundred years ago, there have been numerous adaptations. The author Barrie also adapted his story as well on a few occasions in many ways. In fact, Barrie was the first to plan a film scenario, however, his plan failed to be used for the first film adaptation of Peter Pan in 1924 (Barrie, 2011). In this analysis, the criticism of Peter Pan’s movies will be separated in two ways, first, from the point of view that the film is an exact replica of the novel and the other point of view is that the viewer considers the film as an autonomous piece with different interpretations. I will first argue that Barrie’s original text adapted by Walt Disney’s version is not in keeping with the darker, intricate original story however, the film is an autonomous piece of art that successfully opens viewers to their personal interpretations. I will then consider extra-cinematic codes of the interpretations for James Barrie’s story of Peter Pan through the adaptation of the film, Finding Neverland, with focus on: language codes, visual codes, non-linguistic sound codes and cultural codes (McFarlane, 1996). To further the analysis a comparison from the original historical text of, J.M Barrie’s Peter Pan and Lewis Carroll’s Alice’s Adventure in Wonderland that have been adapted to film I will outline the similarities as well as the differences. Barrie’s Peter Pan and Carroll’s Alice’s are both characters that connect withShow MoreRelatedAnalysis Of The Book The Many Faces Of James Hook 2081 Words   |  9 PagesOlivia Young Mr. Albritton Neverland Variations 13 October 2016 The Many Faces of James Hook Whether reading the book or watching the movie, there are notable differences in the character better known as Captain Hook. When we first meet James Hook, he is a classic storybook villain: evil, hairy, and merciless, cruel even to his own crew. He despises Peter and the other children, and dreams of killing them all. Yet from the very beginning, we are made to understand that Hook is not quite an ordinaryRead MoreThe Boy Who Never Grew Up Essay2156 Words   |  9 PagesThe Boy Who Never Grew Up John C.W. Young California Baptist University â€Æ' Abstract Sigmund Freud’s psychoanalytic theory is used to explore Peter Pan and his inability to take his place in a responsible world. Freud’s Oedipus complex is discussed and used to determine the cause of the disconnect from his adulthood and the treatment in which Freud suggests that would able to correct the repressed childhood conflicts that are present due to fears and repressed memories as it’s contributing to Peter’sRead MoreLiterary Criticism : The Free Encyclopedia 7351 Words   |  30 Pagesnavigation, search In literary criticism, a Bildungsroman (German pronunciation: [ˈbÉ ªldÊŠÅ‹s.Ê oËÅ'maË n]; German: novel of formation, education, culture),[a] novel of formation, novel of education,[2] or coming-of-age story (though it may also be known as a subset of the coming-of-age story) is a literary genre that focuses on the psychological and moral growth of the protagonist from youth to adulthood (coming of age),[3] in which character change is extremely important.[4][5] Contents [hide] 1